My background is in academic film analysis, although this has opened doors to many subjects: literature, music, philosophy, political economy… My students are always encouraged to think beyond their "home" discipline when they come to university. I believe that if you study a subject deep enough, it will lead to all the others. So far, my research has led me from classical music through Hollywood biopics and Romanic philosophy to some of the most fundamental questions about the construction and social organisation of creative labour in the modern world. I find that the most enjoyable books explain the world to us whilst reflecting upon what that act of explanation means.
I wrote
Film, Negation and Freedom: Capitalism and Romantic Critique
Like most students, I first came to classes expecting to absorb knowledge from my teachers. Rancière made me think again.
Every good professor knows from experience that learning is always a two-way process. Rope learning might prepare us for ‘the real world,’ but the real world is not a place of freedom.
For Rancière, if we really want to change the world, the educator must be transformed from the venerable sage into the honest tyrant who proclaims: “You’ve got to think for yourselves, even if you must be told to do it.”
This extraordinary book can be read on several levels. Primarily, it is the story of Joseph Jacotot, an exiles French schoolteacher who discovered in 1818 an unconventional teaching method that spread panic throughout the learned community of Europe.
Knowing no Flemish, Jacotot found himself able to teach in French to Flemish students who knew no French; knowledge, Jacotot concluded, was not necessary to teach, nor explication necessary to learn. The results of this unusual experiment in pedagogy led him to announce that all people were equally intelligent. From this postulate, Jacotot devised a philosophy and a method for what he…
The book that made the philosophy of science relevant to everything.
Popper’s rejection of inductive reasoning had fascinating implications for politics, psychology, and (through E. H. Gombrich) art. The simple idea that perception is always predetermined by experience was not new, of course (Popper always credited his predecessors, including Xenophanes), but I find his ability to develop this theme against the contemporary vogue for empirical positivism deeply rewarding.
Popper helped to establish our modern intellectual climate with his most important lesson, adapted from Darwin: Embrace criticism.
Conjectures and Refutations is one of Karl Popper's most wide-ranging and popular works, notable not only for its acute insight into the way scientific knowledge grows, but also for applying those insights to politics and to history. It provides one of the clearest and most accessible statements of the fundamental idea that guided his work: not only our knowledge, but our aims and our standards, grow through an unending process of trial and error.
As a writer, Adorno learned much from music–both what it says and what it fails to say. Each page is packed with enough ideas to inspire a dozen discussions.
For me, philosophy makes the most sense in this "continental" (as opposed to "analytic") style. The fragmentary, anti-systemic approach developed from the Early German Romantics, extending through Friedrich Nietzsche down to the poststructuralists.
Although falling short of the grandeur of his magnum opus, Negative Dialectics, Adorno’s most accessible book maintains a keen critical edge alongside an appealing balance between clarity and richness––reason and imagination.
Written between 1944 and 1947, Minima Moralia is a collection of rich, lucid aphorisms and essays about life in modern capitalist society. Adorno casts his penetrating eye across society in mid-century America and finds a life deformed by capitalism. This is Adorno's theoretical and literary masterpiece and a classic of twentieth-century thought.
Capital requires agreement. This was Bourdieu’s fundamental lesson, and he reveals how it can apply to everything: money, authority, language, prestige, leadership, education, and even knowledge itself. Bourdieu was not alone in subjecting the social field to market analysis, but in books like this one, he attained a level of analytical rigour and sociological imagination which has rarely been equalled.
Throughout my education, I have found (and still find) that the best books will expose the reader to completely new ideas that seem like the kind of thing you always already knew. That could almost be a definition of ‘philosophy’–one that empowers the reader. Bourdieu writes that way.
This volume brings together Pierre Bourdieu's highly original writings on language and on the relations among language, power, and politics. Bourdieu develops a forceful critique of traditional approaches to language, including the linguistic theories of Saussure and Chomsky and the theory of speech-acts elaborated by Austin and others. He argues that language should be viewed not only as a means of communication but also as a medium of power through which individuals pursue their own interests and display their practical competence.
Drawing on the concepts that are part of his distinctive theoretical approach, Bourdieu maintains that linguistic utterances or expressions…
An interdisciplinary study taken to its logical conclusion. Starting with a powerful interpretation of Romanticism back in the 1950s, Peckham’s work culminated in an ambitious "general theory of human behaviour."
In essence, this book helped me understand that explanation is a form of violence–all languages, and all cultures, strive to enforce predictable behaviour in other human beings. Despite his flaws, Peckham offers a fascinating example of the power of interdisciplinarity. All subjects, when followed through, lead to all the others.
Explanation and Power was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The meaning of any utterance or any sign is the response to that utterance or sign: this is the fundamental proposition behind Morse Peckham's Explanation and Power. Published in 1979 and now available in paperback for the first time, Explanation and Power grew out of Peckham's efforts, as a scholar of Victorian literature, to understand the nature of Romanticism. His search ultimately led back to-and built upon-the…
Did the birth of cinema herald a new era of technological modernism? Or was it the culmination of a Romantic dream?
Beginning with the theory that film art is always poised between forces of freedom and tyranny, this book explores the precarious condition of the modern political subject in films by two of the twentieth century’s most important directors: Arthur Penn (Bonnie and Clyde, Mickey One, and The Missouri Breaks) and Lindsay Anderson (If…., Brittania Hospital, O Lucky Man!).
